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Hi Guest Login Register. The Magic Flute Instrumental 5 Songs. Music Director - Siddharth Kasyap. The Magic Flute Songs. All Right Reserved. We have noticed that you have an ad blocker enabled on your browser. To experience full features of the site please disable it for www.The work is in the form of a Singspiela popular form during the time it was written that included both singing and spoken dialogue.
In this opera, the Queen of the Night persuades Prince Tamino to rescue her daughter Pamina from captivity under the high priest Sarastro; instead, he learns the high ideals of Sarastro's community and seeks to join it. Separately, then together, Tamino and Pamina undergo severe trials of initiation, which end in triumph, with the Queen and her cohorts vanquished. The earthy Papageno, who accompanies Tamino on his quest, fails the trials completely but is rewarded anyway with the hand of his ideal female companion, Papagena.
The opera was the culmination of a period of increasing involvement by Mozart with Schikaneder's theatrical troupe, which since had been the resident company at the Theater auf der Wieden.
Mozart was a close friend of one of the singer-composers of the troupe, tenor Benedikt Schack the first Taminoand had contributed to the compositions of the troupe, which were often collaboratively written. Mozart's participation increased with his contributions to the collaborative opera Der Stein der Weisen The Philosopher's Stoneincluding the duet "Nun liebes Weibchen", K.
Like The Magic FluteDer Stein der Weisen was a fairy-tale opera and can be considered a kind of precursor; it employed much the same cast in similar roles. The libretto for The Magic Flutewritten by Schikaneder, is thought by scholars to be based on many sources. The libretto is also a natural continuation of a series of fairy tale operas produced at the time by Schikaneder's troupe, including an adaptation of Sophie Seyler 's Singspiel Oberon as well as Der Stein der Weisen.
Many scholars also acknowledge an influence of Freemasonry. In composing the opera, Mozart evidently kept in mind the skills of the singers intended for the premiere, which included both virtuoso and ordinary comic actors asked to sing for the occasion. Thus, the vocal lines for Papageno—sung by Schikaneder himself—and Monostatos Johann Joseph Nouseul are often stated first in the strings so the singer can find his pitch, and are frequently doubled by instruments.
The Magic Flute Overture
In contrast, Mozart's sister-in-law Josepha Hoferwho premiered the role of the Queen of the Night, evidently needed little such help: this role is famous for its difficulty. In ensembles, Mozart skillfully combined voices of different ability levels.
The vocal ranges of two of the original singers for whom Mozart tailored his music have posed challenges for many singers who have since recreated their roles. At the low end, the part of Sarastro, premiered by Franz Xaver Gerlincludes a conspicuous F 2 in a few locations. The opera was premiered in Vienna on 30 September at the suburban Freihaus-Theater auf der Wieden. On the reception of the opera, Mozart scholar Maynard Solomon writes:. Although there were no reviews of the first performances,  it was immediately evident that Mozart and Schikaneder had achieved a great success, the opera drawing immense crowds and reaching hundreds of performances during the s.Introduction: Zu Hilfe, zu Hilfe!
Quintetto: Hm! Quintetto: Wie? Coro: O Isis, und Osiris, welche Wonne! Terzetto: Soll ich dich, Teurer, nicht mehr sehn? Halt ein! Andante: Tamino mein! Allegro: Papagena! Allegretto: Halt ein! Allegro: Pa-pa-pa Anhang: Wind parts to some movements. Engraving files Noteworthy Composer without Nos. PDF scanned by m. PDF scanned by Unknown M.
Creative Commons Attribution Non-commercial 3. Creative Commons Attribution Share Alike 3. Creative Commons Attribution-ShareAlike 4. Introduction 2.
Aria Papageno 3.Mozart was a close friend of one of the singer-composers of the troupe, tenor Benedikt Schack the first Taminoand had contributed to the compositions of the troupe, which were often collaboratively written. Like The Magic FluteDer Stein der Weisen was a fairy-tale opera and can be considered a kind of precursor; it employed much the same cast in similar roles. Mozart evidently wrote keeping in mind the skills of the singers intended for the premiere, which included both virtuosi and ordinary comic actors asked to sing for the occasion.
Thus, the vocal lines for Papageno—sung by Schikaneder himself—and Monostatos Johann Joseph Nouseul are often stated first in the strings so the singer can find his pitch, and are frequently doubled by instruments. In ensembles, Mozart skillfully combined voices of different ability levels.
Mozart: The Magic Flute
The vocal ranges of two of the original singers for whom Mozart tailored his music have posed challenges for many singers who have since recreated their roles. At the low end, the part of Sarastro, premiered by Franz Xaver Gerl, includes a conspicuous F 2 in a few locations. The opera was premiered in Vienna on 30 September at the suburban Freihaus-Theater auf der Wieden. Although there were no reviews of the first performances, it was immediately evident that Mozart and Schikaneder had achieved a great success, the opera drawing immense crowds and reaching hundreds of performances during the s.
The success of The Magic Flute lifted the spirits of its composer, who had fallen ill while in Prague a few weeks before. Solomon continues:. You can see how this opera is becoming more and more esteemed.
The opera celebrated its th performance in November Mozart did not have the pleasure of witnessing this milestone, as he had died 5 December Since its premiere, The Magic Flute has always been one of the most beloved works in the operatic repertoire, and is presently the third most frequently performed opera world wide. The Magic Flute is noted for its prominent Masonic elements. Schikaneder and Mozart were Masons and lodge brothers, as was Ignaz Alberti, engraver and printer of the first libretto.
The opera is also influenced by Enlightenment philosophy, and can be regarded as an allegory advocating enlightened absolutism.
Her antagonist Sarastro symbolises the enlightened sovereign who rules according to principles based on reason, wisdom, and nature. These singers perform with an orchestra consisting of two flutes one doubling on piccolotwo oboes, two clarinets doubling basset hornstwo bassoons, two horns, two trumpets, three trombones alto, tenor, and basstimpani and strings.
The work also requires a four-part chorus for several numbers notably the finales of each act.The Magic Flute - Overture
Zu Hilfe! He faints, and three ladies, attendants of the Queen of the Night, appear and kill the serpent. They find the unconscious prince extremely attractive, and each of them tries to convince the other two to leave. After arguing, they reluctantly decide to leave together. Tamino wakes. Papageno enters dressed as a bird. Tamino introduces himself to Papageno, thinking Papageno killed the serpent.
Papageno happily takes the credit — claiming he strangled it with his bare hands. The three ladies suddenly reappear and place a padlock over his mouth as a warning not to lie. The ladies return and tell Tamino Pamina has been captured by Sarastro, a supposedly evil sorcerer.
Tamino vows to rescue Pamina.This release includes a digital booklet. Act I: Dialogue scream - Slaves! Act II: Dialogue: Where do you think we are? Act II: Why, why, why are you in this place of fear? Act II: We must be very, very quiet!
Monostatos, Queen of the Night, Three Ladies. Mozart: The Magic Flute. Of all repertoire operas, none gains more than The Magic Flute from performance in the language of the audience. Musically, the performance is hard to fault.
Articulation is light and buoyant, BBC Music Magazine. Gramophone Magazine. In stock Usually despatched within 1 working day. Add download to basket. Act I: Hm! Papageno, Tamino, Three Ladies. Act I: A man in search of truth and beauty Pamina, Papageno. Act I: These words of wisdom reassure me Tamino, Speaker. Act I: How soft, how strong your magic sound Tamino.
Act I: We worship Sarastro, we bow before him! Chorus, Papageno, Pamina. Act II: We worship at the altar Sarastro. Act II: Will I not see my love again?
Pamina, Sarastro, Tamino. Act II: Dialogue: Tamino! Tamino …Tamino … Papageno, Second Priest. Act II: Pamina? I hear her calling Tamino, Two Armed Men. Act II: Papagena! Papageno, Three Boys. Act II: Pa-pa-ge-na! Papageno, Papagena.This performance is no longer viewable as video-on-demand for rights reasons but other material about the production is still available.
A handsome prince falls in love with an abducted princess. Armed with musical instruments, he and his singing sidekick mount a rescue mission that tests their commitment to truth, love and humanity itself. Tamino is pursued by a giant snake. As he loses consciousness he is rescued by three Ladies, servants of the Queen of the Night. Papageno, a birdcatcher, claims to have killed the monster himself, and is punished by the three Ladies. The Ladies tell Tamino that Pamina was abducted by an evil man, Sarastro, leader of the brotherhood.
The Queen of the Night laments the loss of her daughter and urges Tamino to rescue her. He will be accompanied on this mission by Papageno and the Ladies give them a magic flute and a set of magic bells to protect them. Three Boys will guide them on their way. Together they go in search of Tamino. He learns to think differently about Sarastro and discovers that Pamina is still alive.
Tamino plays his magic flute, which enchants even wild animals. Hearing the flute, Pamina and Papageno attempt to follow the sound but are caught by Monostatos and his men. Papageno distracts them by playing his magic bells. Sarastro and his followers gather and Pamina explains what has happened to her.
Monostatos presents his most recent captive, Tamino, expecting a reward. Sarastro, however, orders him to be punished and invites Tamino to become an initiate to the brotherhood. As Tamino and Pamina see each other for the first time, they are abruptly separated.
Sarastro convinces his followers that Tamino is a suitable candidate for the brotherhood and tells them that Pamina has been chosen to be his partner: together they will secure a future free of evil. Tamino and Papageno are blindfolded and led away to undergo a series of trials, the first of which is to remain silent. Sarastro prays for them to be given the courage they will need. The three Ladies attempt to distract them into breaking their vow, but without success. Monostatos again attempts to attack Pamina but her mother, the Queen of the Night, intervenes.
She forces a dagger on her daughter and orders her to kill Sarastro. Monostatos witnesses this encounter and threatens to betray Pamina if she will not give herself to him.
He is discovered and banished by Sarastro, who counsels and comforts Pamina. Tamino and Papageno are still bound to silence. Papageno breaks his vow when he is accosted by an old woman who claims to be his girlfriend. The three Boys bring them food and drink and return the magic instruments. Tamino plays his flute and is heard by Pamina, who comes to find him. She is heartbroken when he refuses to speak to her.
Sarastro commends Tamino for his steadfastness but tells him that, although he will be permitted to see Pamina again, it may be for the last time. The two lovers are joyfully reunited, only to be separated once more.
Papageno is told that he will be denied admission to the brotherhood but is given the chance to see the old woman momentarily transformed into a glorious creature, his very own Papagena. In despair, Pamina attempts to kill herself but is prevented by the three Boys, who persuade her that Tamino really loves her. Pamina and Tamino undergo the final trials of fire and water together. Protected by the magic flute, they emerge triumphant. Papageno has lost his Papagena and cannot contemplate life without her.
The Boys remind him of his magic bells and, when he plays them, she appears.